He attended Hogwarts School of Witchcraft and Wizardry, where he was sorted into Hufflepuff. Early in life, Scamander developed an interest in magical creatures, influenced by his mother's breeding of Hippogriffs. 24 February 1897) was an English wizard, famed Magizoologist and the author of Fantastic Beasts and Where to Find Them. Disabled people’s lives are more than something for non-disabled actors to play at. Suspicious that her colleague (Academy Award® Winner Eddie Redmayne) is responsible for a series of mysterious patient deaths, a nurse (Academy Award® Winner. Newton Artemis Fido 'Newt' Scamander, O.M. Perhaps it is time to think before we next applaud “cripping up”. But we don’t grant disabled people the same right to self-representation. Speaking to Vogue, Eddie shared: 'My wife is gently converting me to someone who knows his way around a veg patch.'. When it comes to race, we believe it is wrong for the story of someone from a minority to be depicted by a member of the dominant group for mass entertainment. WATCH: 8 most jaw-dropping celebrity homes. But for many disabled people in the audience, this is watching another person fake their identity. Perhaps as a society we see disability as a painful external extra rather than a proud, integral part of a person, and so it doesn’t seem quite as insulting to have non-disabled actors don prosthetics or get up from a wheelchair when the director yells “cut”. And there is something a little comforting in knowing, as we watch the star jump around the red carpet, that none of it – the pain or negativity we still associate with disability – was real. These are universal feelings every audience member can identify with. They can represent what it is to be “different” in some way, an outsider or an underdog who ultimately becomes inspirational. They can symbolise the triumph of the human spirit over so-called “adversity”. Photograph: ITV/Rex FeaturesĪfter all, disabled characters create powerful images and sentiments for audiences. When it comes down to it, Shinn says, “pop culture is more interested in disability as a metaphor than in disability as something that happens to real people”.ĭaniel Day Lewis in My Left Foot. Christopher Shinn, a playwright who had a below-the-knee amputation, describes the act of watching a disabled character being played by an actor who we know is really fit and well as allowing society’s “fear and loathing around disability” to be “magically transcended”. There’s a theory of why non-disabled actors playing disabled characters leads to success: audiences find it reassuring. But I can’t get away from the fact that, if these arguments were made for white actors “playing black”, our outrage would be so great that the scenes would be left on the cutting room floor. The ability to walk allows Redmayne to portray Hawking before being diagnosed with motor neurone disease. On a practical level too, perhaps hiring a non-disabled actor is easier. When Daniel Radcliffe played a disabled orphan in The Cripple of Inishmaan this won more headlines for the production than if a disabled, lesser-known actor had been cast. The entertainment industry is a business, after all, and stars sell. The explanations for “cripping up” are obvious. Daniel Radcliffe, centre, with Sarah Greene and Pat Shortt in The Cripple Of Inishmaan at the Cort Theatre in New York.
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